My architectural works begin with my photo camera: photographs of buildings, often taken from below, where structures rise above and perspective lines converge into the sky. From these images I deconstruct and reimagine architecture — breaking volumes apart, rearranging them, and reconstructing them into new compositions that reflect my style.

Perspective plays a central role. Sometimes I allow the perspective lines to remain visible, stretching outward and upward to emphasise the sense of infinity I want to portray. At other times, I fragment the volumes more radically, transforming familiar buildings into unexpected arrangements, both recognisable and abstract.

These works are not architectural plans, but explorations: a way of reinventing space, volume, and perspective. Through deconstruction and recomposition, they reveal how geometry and imagination can reshape our experience of the built world.