Half seen. Half constructed.

These portraits exist between perception and geometry, where the organic meets the measured.

Each face is divided and rebuilt through the logic of lines: one side human, the other a geometric interpretation of it. The two sides speak of continuity. Geometry tracing the face without silencing its emotion.

Each portrait begins with close observation of the face, its lines, angles, and quiet asymmetries. From these, new geometries unfold: lines extend beyond the frame, mapping invisible rhythms that connect the subject to its surrounding space.

As in all my works, curved forms are replaced by segmented trajectories, fragments that together suggest motion, thought, and the pulse of being.

The portrait begins with a photograph, but it is not bound by it. The image becomes a framework, a point of departure toward structure, balance, and distilled presence.